The eye, otherwise distracted by pattern and bright colour pairings, must hone in on sartorial components which make this collection not only striking but endlessly combinable. Lauren Bulla writes, with photographs by Lorenzo Ferrari.

“What happens when I allow myself to be seen?” The gaze of another locks onto me with raw transcendence, and in that vulnerability, my body starts to heal. Aurola Gyorfy writes, with photographs by Julian Gomez Succo.

The looks, perhaps unsurprisingly therefore, featured neat folds and pleats that gave the silhouettes an origami-like dimension, rich stories like a sheet of paper illuminated by words and illustrations. Jude Jones writes, with photographs by Lauren Cremer.

MMAM, or Maison Modern Art Museum, founded by designer Park Hyun – brought movement, opening with an evocative ballet performance from choreography Lee Ruda. Writes Jude Jones with photographs by Julian Gomez Succo.

RE RHEE transubstantiated a normally coy minimalism into a sort of quiet and clean maximalism this season, a new language of sophistication. Jude Jones writes, with photographs by Julian Gomez Succo

Jenny Fax AW25 was an uncomfortable, disturbing, and quietly confrontational package, all wrapped in pretty pink, soft silks, and Victorian white lace. Writes Jude Jones, with photographs by Lauren Cremer.

For grounds creative director Mikio Sakabe, however, the feet are more than just sunken extremities – they are the keys to a holistic new phase for all humankind. Jude Jones writes, with photographs by Lauren Cremer.

Meet the Hong Kong Brands Reshaping Global Fashion: HKFG at Paris Fashion Week occupies a liminal space in the global imaginary, its edges lapping softly like a reflection of moonlight or central city glow on the South China Sea. Writes Jude Jones.

This collection wasn’t just about clothing; it was about movement, structure, and the delicate balance between heritage and modernity. Tatiana Gaborit writes.

“Sometimes, it is important to take a moment and look around at the things that surround us–a moment to reflect before moving forward, cultivating an identity that is truly ours.” Molly Boniface writes, with photographs by Benjamin Fraser.

This especially seductive era of cinema, Film Noir, informed the offerings where razor edged silhouettes situated against wearable elegance. Lauren Bulla writes, with photographs by Mitchell Kemp.

Focusing on self-adornment and empowerment, Bhumi pushes the boundaries as to who can create a mark on the fashion industry, as the designer innovates around new mediums. Lauren Bulla writes with photographs by Imogen Carmichael-Jack.

Touching on “fashion as heirloom”, each of the 20 looks represent an extension of Coker’s self, using garments from previous collections in an evolution of identity. Talitha Messham writes.

“For a collection inspired by its community, there could not be a better representation, it truly felt like everyone in the space belonged to the Wanni Fuga family.” Willow Shields writes, with photographs by Mitchell Kemp.

“Despite the chill of winter, florals writhe beneath, full of life and colour - awaiting the warmth of the spring to reemerge.” Lauren Bulla writes.

Bold materials come together in practical forms positioned in the AW25 ready-to-wear collection from Ray Chu. Lauren Bulla writes, with photographs by Lily Maguire.

In Pauline Dujancourt AW25’s collection, we see each piece telling an individual story and simultaneously click together in irreproachable, powerful succession. Lauren Bulla writes, with photographs by Lily Maguire.

Sinead Gorey’s AW25 collection wasn’t just a runway show – it was a cultural moment, a celebration of rebellion and glamour. Annie Gale takes us backstage, with photographs by Mitchell Kemp.

This AW25 season, Flair Fashion presented London fashion week attendees, "Frontier Collective’s Runway”. Alex Shukri writes, with photographs by Lauren Cremer.

Barrus AW25 at LFW, inspired by the ancient city of Ephesus, representing the strength, grace, and resilience of the feminine spirit. Elise Lunt writes, with photography by Imogen Carmichael-Jack, Lucy Fudge and Chris Yates